Mirrors of Zlin展览是为了纪念Zlin市700年的历史而举办的，在城堡公园里展示了一系列多媒体装置。三个装置中的第一个以作家Pavel Kosatik对城市及其周围环境的演变的独特视角进行创作，随后Loom On The Moon用插图进行了补充和总结。这导致了文字和图像之间的对话，它们有时是和谐的，有时是对比的。除了这个叙事部分，城堡公园里还有另外两个装置。

The Exhibition The Mirrors of Zlin was created for the occasion of 700 years of history of the city of Zlin, which manifested as a series of multimedia installations in the chateau park.The first out of the three installations works with the distinctive perspective of writer Pavel Kosatík on the evolution of the city and its surroundings, which Loom On The Moon subsequently complemented and summarised with illustrations. This resulted in an intergenerational dialogue between text and image, which are sometimes in harmony and sometimes in contrast. In addition to this narrative part, there are another two installations in the chateau park.

一个是沉浸式电影，一种视听体验，允许游客居住在Zlin的各个时代、如季节、灯光、农村时代、火灾期间、铁路到达时、巴塔繁荣期间，以及现在的时刻。它是一个逐帧的绘画动画，将电影的每一帧都视为一幅画。

One is an immersive film, an audiovisual experience that allows visitors to inhabit past moments of Zlin in various eras, seasons, lights, in rural times, during a fire, when the railway arrived, during the Bata boom, and also present moments. It is a frame-by-frame painted animation that treats each frame of the film as a painting.

最后一个永久性装置Mirrors of Zlin，这是一个由流动形状组成的抒情星座，诗意地放置在Zlin公园最美丽的树木之间，它们反映了Zlin的树梢、流动的天空和好奇的过往游客。这一部分装置的灵魂是一个声音组合，它是对时间周期的庆祝，季节的转折，白天的延长和缩短，春分和夏至的时刻，它的功能是一个不可预测的，令人惊讶的太阳历或星象钟。

The last permanent installation is the mirrors of Zlin – a lyrical constellation of fluid shapes, poetically placed among the most beautiful trees of Zlin‘s park, whose treetops, flowing sky, and curious passing visitors they reflect. The soul of this part of the installation is a sound composition that is a celebration of the cycle of time, the turning of the seasons, the lengthening and shortening of the days, the moments of equinox and solstice, which functions as an unpredictable, surprising solar calendar or astrological clock. 

在一年中不同时期贯穿公园的音乐构成的基础是对Zlin地区钟楼钟声的仔细测绘和研究。因此，公园里响起了钟声青铜的振动，这创造了一个按比例缩小的Zlin地区的地理印记。单独的多声道音乐作品及其在时间和年份上的确切位置对应于对太阳和星星运动的研究。

The basis for the music composition that sounds through the park in various phases of the year was a careful mapping and study of the sounds of bells in the belfries of the Zlin Region. Thus the park rings with the vibrations of bell bronze, which creates a scaled-down geographical imprint of the Zlin Region. The individual multi-channel musical compositions and their exact position in time and the year correspond to a study of the movement of the sun and stars.

声级由移动的灯光支撑，不仅为镜子和音乐提供了视觉伴奏，还为公园的夜间照明提供了诗意和俏丽的选择。这导致了自然光和人造光之间、公园的声音、音乐作品和时间的流逝之间的和谐。Mirrors of Zlin因此成为一个只能在这个地方、这个时间存在的艺术品。

The sound level is supported with a moving light, which not only provides a visual accompaniment to the mirrors and music but also a poetic and playful alternative to the park‘s night-time lighting. This results in a harmony between the natural and artificial light, between the sound of the park, the musical composition and the passage of time. The Mirrors of Zlín thus becomes an artwork that can exist only in this place, at this time.

Mirrors of Zlin展览是为了纪念Zlin市700年的历史而举办的，在城堡公园里展示了一系列多媒体装置。三个装置中的第一个以作家Pavel Kosatik对城市及其周围环境的演变的独特视角进行创作，随后Loom On The Moon用插图进行了补充和总结。这导致了文字和图像之间的对话，它们有时是和谐的，有时是对比的。除了这个叙事部分，城堡公园里还有另外两个装置。

The Exhibition The Mirrors of Zlin was created for the occasion of 700 years of history of the city of Zlin, which manifested as a series of multimedia installations in the chateau park.The first out of the three installations works with the distinctive perspective of writer Pavel Kosatík on the evolution of the city and its surroundings, which Loom On The Moon subsequently complemented and summarised with illustrations. This resulted in an intergenerational dialogue between text and image, which are sometimes in harmony and sometimes in contrast. In addition to this narrative part, there are another two installations in the chateau park.

一个是沉浸式电影，一种视听体验，允许游客居住在Zlin的各个时代、如季节、灯光、农村时代、火灾期间、铁路到达时、巴塔繁荣期间，以及现在的时刻。它是一个逐帧的绘画动画，将电影的每一帧都视为一幅画。

One is an immersive film, an audiovisual experience that allows visitors to inhabit past moments of Zlin in various eras, seasons, lights, in rural times, during a fire, when the railway arrived, during the Bata boom, and also present moments. It is a frame-by-frame painted animation that treats each frame of the film as a painting.

最后一个永久性装置Mirrors of Zlin，这是一个由流动形状组成的抒情星座，诗意地放置在Zlin公园最美丽的树木之间，它们反映了Zlin的树梢、流动的天空和好奇的过往游客。这一部分装置的灵魂是一个声音组合，它是对时间周期的庆祝，季节的转折，白天的延长和缩短，春分和夏至的时刻，它的功能是一个不可预测的，令人惊讶的太阳历或星象钟。

The last permanent installation is the mirrors of Zlin – a lyrical constellation of fluid shapes, poetically placed among the most beautiful trees of Zlin‘s park, whose treetops, flowing sky, and curious passing visitors they reflect. The soul of this part of the installation is a sound composition that is a celebration of the cycle of time, the turning of the seasons, the lengthening and shortening of the days, the moments of equinox and solstice, which functions as an unpredictable, surprising solar calendar or astrological clock. 

在一年中不同时期贯穿公园的音乐构成的基础是对Zlin地区钟楼钟声的仔细测绘和研究。因此，公园里响起了钟声青铜的振动，这创造了一个按比例缩小的Zlin地区的地理印记。单独的多声道音乐作品及其在时间和年份上的确切位置对应于对太阳和星星运动的研究。

The basis for the music composition that sounds through the park in various phases of the year was a careful mapping and study of the sounds of bells in the belfries of the Zlin Region. Thus the park rings with the vibrations of bell bronze, which creates a scaled-down geographical imprint of the Zlin Region. The individual multi-channel musical compositions and their exact position in time and the year correspond to a study of the movement of the sun and stars.

声级由移动的灯光支撑，不仅为镜子和音乐提供了视觉伴奏，还为公园的夜间照明提供了诗意和俏丽的选择。这导致了自然光和人造光之间、公园的声音、音乐作品和时间的流逝之间的和谐。Mirrors of Zlin因此成为一个只能在这个地方、这个时间存在的艺术品。

The sound level is supported with a moving light, which not only provides a visual accompaniment to the mirrors and music but also a poetic and playful alternative to the park‘s night-time lighting. This results in a harmony between the natural and artificial light, between the sound of the park, the musical composition and the passage of time. The Mirrors of Zlín thus becomes an artwork that can exist only in this place, at this time.